Author Archives: RandyCBrown

Painting Trees

Carrying on with the same theme of the background, I mixed ultramarine blue, burnt umber, and a small amount of titanium white which gave me a dark cool tone for my distant trees.

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Painting for Fun

As artists, we sometimes feel as though every work that we produce must meet certain standards. We place pressures on ourselves to create a masterpiece in every painting we start. Continue reading

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Waterfowl… Why I Love to Paint Them

When I first started trying to learn to paint, I was blown away by the works of such waterfowl masters as David Maass, Phillip Crowe, Maynard Reece, Jim Hautman, Ken Carlson and Larry Chandler just to name a few! Continue reading

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Digital Reference Photographs

Wildlife art for me is the creation of an image that results from imagination, preparation, dedication, and perspiration. Continue reading

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Hidden Refuge A Mallard Duck Painting

Back in November 2010, I began comtemplating what my next wildlife painting would be. I began doing my standard research looking through all of my reference photographs to find the subject material for the painting. Continue reading

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How to Blend Acrylic Paints

One of the largest complaints that I’ve seen about acrylic paints for creating art is it’s quick drying time which prevents the blending of tonal values the way oil paints can be blended. Some people refer to this effect as the paint-by-number look.

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Acrylic Painting – Painting the Background

In the numerous forums I visit, I’ve seen several questions come up about painting the background in an acrylic painting so I decided to create this post about the subject.

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Creating a Sketch on Stretched Canvas

When painting on stretched canvas, it is very difficult to get an accurate sketch before the painting begins because of the stretch of the canvas itself. Here are a four tips to help eliminate some of the frustration of sketching on stretched canvas. Continue reading

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How to Create Shadows in a Wildlife Painting

In order to create wildlife paintings with the realism that I desire, shadows must be accurately depicted in the scene using a technique that I refer to as shade mixing. Shadows create the shape of objects in the scene such as trees, rocks, Continue reading

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Conclusion to How I Begin A Wildlife Painting

This entry is part 7 of 7 in the series How I Begin A Wildlife Painting

Art to me is more than just creating pictures. It is the journey from the design of the painting to that last brush stroke. Continue reading

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